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About the Filmmakers


Mark Moskowitz, Director/Producer

Mark Moskowitz, producer and director of STONE READER, is known for his issue-oriented media, including more than three thousand political spots for hundreds of races nationally and worldwide. He has been awarded “Pollies,” political media’s highest award, for five consecutive years. Newsweek described his media as “brilliantly targeted,” and CNN called it “a model of the medium.”

Besides his political work, Moskowitz has created promotional media for high profile athletes, musicians, CEOs, and others in the public eye. For over forty years he’s specialized in telling reality stories by bringing amateurs to life on-camera.

STONE READER, his first feature film, won the Audience Award for Best Feature Film (a first for a nonfiction narrative) and a Special Grand Jury Honor (the festival’s top prize) at the 2002 Slamdance Festival. The International Documentary Association (IDA) nominated STONE READER for its Distinguished Achievement Award in the Feature category. IDA is the largest association of nonfiction filmmakers in the world and an IDA nomination is one of the most prestigious honors a nonfiction film can receive.

His latest film is “It Was the Music”, a 10-part series to be distributed in 2020.


Robert M. Goodman, Producer

Robert M. Goodman is an Emmy-nominated director, cinematographer, writer, and producer with over 35 years of experience in documentary, commercial, episodic, and feature production. He was a Professor at The Art Institute of Philadelphia for nine years where he taught filmmaking until the day he moved to Denmark.

He's also a well-known expert in digital cinematography and workflow. Years of struggling with camera manuals written for engineers, led him to create the Goodman’s Guide series, the first reference books to explain how to use digital cinematography cameras from a camera operator’s perspective. The Goodman’s Guides series became indispensable tools for cinematographers around the globe.

Goodman conducted workshops on production, digital cinematography, workflow and post for broadcasters, camera manufacturers, film festivals and other organizations. He's been a consultant for Panasonic, RED, Sony, and Thomson on camera development. For decades, Goodman was a contributing editor for Broadcast Television, Digital Cinema, The Independent Film & Video Monthly, Videography, DV, and DOX magazines.

He began his career as a still photographer before transitioning into the film industry. Goodman is a member of the Danish Directors Association and is working on a novel and several new film projects when he's not out on the water.